Some anti-Catholics claim the Catholic Church is the Whore of Babylon of Revelation 17 and 18. Dave Hunt, in his 1994 book, A Woman Rides the Beast, presents nine arguments to try to prove this. His claims are a useful summary of those commonly used by Fundamentalists, and an examination of them shows why they don’t work.
Hunting the Whore of Babylon | Catholic Answers
I'm jumping ahead to lie #4 because the subject came up recently on another thread.
#4: Clothed in Purple and Red
Hunt states, "She [the Whore] is clothed in ‘purple and scarlet’ (verse 4), the colors of the Catholic clergy." He then cites the Catholic Encyclopedia to show that bishops wear certain purple vestments and cardinals wear certain red vestments.
Hunt ignores the obvious symbolic meaning of the colors—purple for royalty and red for the blood of Christian martyrs. Instead, he is suddenly literal in his interpretation. He understood well enough that the woman symbolizes a city and that the fornication symbolizes something other than literal sex, but now he wants to assign the colors a literal, earthly fulfillment in a few vestments of certain Catholic clergy.
Purple and red are not the dominant colors of Catholic clerical vestments. White is. All priests wear white (including bishops and cardinals when they are saying Mass)—even the pope does so.
The purple and scarlet of the Whore are contrasted with the white of the New Jerusalem, the Bride of Christ (Rev. 19:8). This is a problem for Hunt for three reasons:
(a) we have already noted that the dominant color of Catholic clerical vestments is white, which would identify them with New Jerusalem if the color is taken literally;
(b) the clothing of the Bride is given a symbolic interpretation ("the righteous acts of the saints;" 19:8); implying that the clothing of the Whore should also be given a symbolic meaning; and
(c) the identification of the Bride as New Jerusalem (Rev. 3:12, 21:2, 10) suggests that the Whore may be old (apostate) Jerusalem—a contrast used elsewhere in Scripture (Gal. 4:25–26).
Hunt ignores the liturgical meaning of purple and red in Catholic symbolism. Purple symbolizes repentance, and red honors the blood of Christ and the Christian martyrs.
It is appropriate for Catholic clerics to wear purple and scarlet, if for no other reason because they have been liturgical colors of the true religion since ancient Israel.
Hunt neglects to remind his readers that God commanded that scarlet yarn and wool be used in liturgical ceremonies (Lev. 14:4, 6, 49–52; Num. 19:6), and that God commanded that the priests’ vestments be made with purple and scarlet yarn (Ex. 28:4–8, 15, 33, 39:1–8, 24, 29).
Brokelight, you're wrong.
Hunting the Whore of Babylon | Catholic Answers
I'm jumping ahead to lie #4 because the subject came up recently on another thread.
#4: Clothed in Purple and Red
Hunt states, "She [the Whore] is clothed in ‘purple and scarlet’ (verse 4), the colors of the Catholic clergy." He then cites the Catholic Encyclopedia to show that bishops wear certain purple vestments and cardinals wear certain red vestments.
Hunt ignores the obvious symbolic meaning of the colors—purple for royalty and red for the blood of Christian martyrs. Instead, he is suddenly literal in his interpretation. He understood well enough that the woman symbolizes a city and that the fornication symbolizes something other than literal sex, but now he wants to assign the colors a literal, earthly fulfillment in a few vestments of certain Catholic clergy.
Purple and red are not the dominant colors of Catholic clerical vestments. White is. All priests wear white (including bishops and cardinals when they are saying Mass)—even the pope does so.
The purple and scarlet of the Whore are contrasted with the white of the New Jerusalem, the Bride of Christ (Rev. 19:8). This is a problem for Hunt for three reasons:
(a) we have already noted that the dominant color of Catholic clerical vestments is white, which would identify them with New Jerusalem if the color is taken literally;
(b) the clothing of the Bride is given a symbolic interpretation ("the righteous acts of the saints;" 19:8); implying that the clothing of the Whore should also be given a symbolic meaning; and
(c) the identification of the Bride as New Jerusalem (Rev. 3:12, 21:2, 10) suggests that the Whore may be old (apostate) Jerusalem—a contrast used elsewhere in Scripture (Gal. 4:25–26).
Hunt ignores the liturgical meaning of purple and red in Catholic symbolism. Purple symbolizes repentance, and red honors the blood of Christ and the Christian martyrs.
It is appropriate for Catholic clerics to wear purple and scarlet, if for no other reason because they have been liturgical colors of the true religion since ancient Israel.
Hunt neglects to remind his readers that God commanded that scarlet yarn and wool be used in liturgical ceremonies (Lev. 14:4, 6, 49–52; Num. 19:6), and that God commanded that the priests’ vestments be made with purple and scarlet yarn (Ex. 28:4–8, 15, 33, 39:1–8, 24, 29).
Brokelight, you're wrong.
